I started to work with deformed vinyl records, combining the sounds of the resulting errors on the surface with its existing musical content. The focus shifted from plunderphonics to gradually growing sound textures made of lock grooves, vinyl noises and other samples plus field recordings. My latest project was a collaboration with other four members in which I used two turntables and a pre-selected collection of records as instruments for an improvisational environment made of sounds and gestures.
